Overall, this performance is never boring, it impresses with its impact but perhaps finds its subtler nuances buried under the onslaught.

The phrasing reminds me of Tortelier in that it is very conversational with lots of statements and responses. However, there is minimal lightness of touch with the effect that instead of genteel 18 th century dances the image I have is of modern rock audiences crowd surfing and going hell for leather! Conclusion. There is plenty of rhythm and not as much flex with the tempo as his later recordings. This is very much a mainstream recording with ample vibrato, big tone and lots of broad bows. Historically informed recordings were relatively few in number at that time. The second thing that I am reminded of is that this recording is now almost 40 years old and comes from the time of Starker, Gendron, and Tortelier. The listening experience induces one to immediately sit up and pay attention. Slower movements display sensitive and sensual performances. Audition of the faster movements, exhilarate. There is virtuosity in bucket loads.ДЄlso, the re-mastering no doubt enhances the hugely dynamic sound in this edition. Firstly, it makes it very clear why Ma has been so successful. This recording illustrates to me two things. At that point, starting his meteoric rise to become perhaps the most successful living cellist with ten million CDs sold worldwide. At the time of this recording he would have been in his early 20s. This then, is the first of the three recordings of the Bach Cello Suites, undertaken by Yo Yo Ma. The project is a joint work with AKQA three locations: San Francisco, Paris and San Paulo.Yo Yo Ma. At the time, he was still a newer talent to audiences, but had already impressed teachers and listeners with his musicality and technical skills. 6) of Yo-Yo Mas first recording of the BachCello Suites made in 1983. The project is a joint work with AKQA three locations: San Francisco, Paris and San Paulo. 1, 5, 6 Review by Patsy Morita This release covers half (Suites No. NEBULAвЂ™s work is sealed by Renato Marques Art Direction while counting with Gaul Porat unique eye as Director of Photography and the Creative Direction of Hugo Veiga - the brilliant mastermind behind the Dove campaign - and Peter Lund. As the cellist personally describes 'the way we express ourselves and understand one another defines how we can all live in one single worldвЂќ. In the video, directed by AndrГ© Gaspar and produced in New York, Yo-Yo Ma music is embodied by dancing lines that travel through space and time connecting all races and creeds.

Among his vast work are the recordings and interpretations of Johann Sebastian Bach's most acclaimed solo violoncello suites. He attended the Juilliard School and soon enjoyed extraordinary fame for playing with some of the best orchestras in the world. Born in Paris to a family of Chinese origin with strong musical influence, Yo-Yo Ma was a prodigy child who appeared in American television at the age of eight in a concert conducted by Leonard Bernstein. However, heвЂ™s someone who we'll always have the pleasure to speak about for hours. Yo-Yo Ma is a name that requires no presentation. The result? An inspiring video that takes us on a cultural journey through the art of self-expressing. Entering 2019, NEBULA continues its international expansion signing the direction and the production of Yo-Yo Ma newest music video, where the world-renowned cellist brings to life one of the most beautiful classical partitures: The PrГ©lude for Suite N.1 by Bach.

Yo yo ma bach cello suite 1